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Main » 2013 » October » 31 » The Roots Of Bonsai In Asia by Andrew Parajumpers Kozlowski
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The Roots Of Bonsai In Asia by Andrew Parajumpers Kozlowski
The Roots Of Bonsai In Asia by Andrew Kozlowski
The Chinese began creating miniature landscapes in containers more than one thousand years ago Parajumpers. This art, known as �penjing,� or �pun-sai,� translates to scenery in a pot. The artists used stones and bits of plants such as lichen and moss to make tiny garden landscapes that portrayed scenes in nature. The smaller the materials used and the more detailed the landscapes, the more powerful they were thought to be. The practice of growing a single tree in a pot, �bonsai,� arose from this practice parajumpers coats. To the ancient Chinese, these trees� gnarled trunks and roots resembled dragons and mountains and contributed to myths about the mountain kingdoms of spirit beings.

The artistic creations of bonsai were thought to represent harmony between heaven and earth. To some of the ancient Taoist spiritual seekers, the trees were the highest expression of nature�s art. Bonsai was also a way to bring nature inside their temples, and peace and tranquility to the gardener. As Buddhism began to spread throughout Asia, many Chinese Taoist groups became Chan Buddhists, and they continued to practice the art of bonsai.

During the 12th century, bonsai was introduced to Japan with the spread of Zen Buddhism. The initial bonsai artists in Japan were monks who continued to refine the art of creating individual trees or landscapes in shallow bowls. The more curved and deformed a tree looked, the more it was thought to possess spiritual powers. Over time, bonsai was introduced to the Japanese aristocracy and became an accepted practice among the Japanese elite. Bonsai were brought indoors and displayed on special shelves during certain times of the year.

In addition to growing trees, the Japanese began to create art with naturally shaped stones, focusing on each stone�s texture, color, and shape. This form of Japanese Zen art was called �suiseki.� Over time, both bonsai and suiseki became less associated with monasteries and the upper classes and became part of everyday Japanese culture. During the 17th and 18th centuries, the practice of training trees by trimming, pruning, and shaping them with wire became part of the art of bonsai.

During the 19th century, travelers from around the world came to Japan and then spread the word about tiny trees in ceramic containers that mimicked full-sized trees in nature. In 1900, bonsai trees were placed on display at the Paris World Exhibition, and bonsai were soon exhibited in London and Vienna. Bonsai specialty magazines were founded in Japan, and organizations for bonsai enthusiasts were created. The basic bonsai styles were developed, and nurseries devoted to the growth and training of bonsai trees were established.

Bonsai trees in Japan today are still highly regarded across all classes as cultural symbols, and a flowering bonsai tree on its �tokonoma,� or special niche, is always on display during the Japanese New Year�s celebration.
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